The Tender For Law

English Only

ENGLISH is the international language of law and commerce. Knowing FRENCH is useful for understanding LEGAL ENGLISH, but FRENCH is not the international language of law and commerce, so we will ignore French speakers who speak to us in the language of a conquered people.

Non.

I understand that you are a proud Québécois, but the people here have nothing but contempt for you because of decades of transfer payments and NONE OF YOU understanding what Quebec sovereignty means. None of you know who Russell Rogers Smith is, and you're too proud and arrogant to teach. Just go away and be Retardier somewhere else.

Volume 2

Nov 02, 2013 4:00 PM

Steve LemieuxSteeve Contributing Beneficiary

Just to back track a little, from what I gather -

NOTICE=PUBLIC and PETITION=PRIVATE. I've heard from a very competent source (a national justice) you should stay out of the public as it prejudices EVERYTHING you submit/file as it is against PUBLIC POLICY. That is why they NEVER UNDERSTAND the notice of mistake and you must STAND and ASSERT it in open court. The notice reveals the TRUTH of the constructive TRUST in play (court) and no agent of the court wants to touch that HOT POTATO, especially in open court in front of the people!!

Petitions should be submitted under seal, in camera (to chambers) through a 3d party, such as a NOTARY PUBLIC (it is the opinion of the court - all are fucking liars until a 3d party validates something) When something is reviewed in chambers, it is kept PRIVATE and the justice carries the knowledge with him to the bench.

In PUBLIC it is form OVER substance. In PRIVATE it is substance OVER form.

Maybe it would be wise to start sending documents to the PRIVATE side of the courtroom instead of knocking heads with the PUBLIC side?

Take it for what it is, hope this helps someone.

Printed copy · Anthology Volume 4, page 1034
Printed copy of this comment
Printed copy from The Tender For Law Anthology, Volume 4, page 1034 (printed 13 June 2014). Added by this site; not part of the Facebook export.